Prudence Lost: Prudence is to be admired as a virtue; unfortunately, this particular Prudence is lost.
Prudence the Pirate was released on Sunday, October 22, 1916, starring Gladys Hulette, accompanied by the “ugliest pub” in the world, Panthus; the dog was named Panthus because he panted abundantly. The production was covered thoroughly by the Hollywood trade magazines, reporting on Ms. Hulette and particularly the ugly dog. The well rounded cast included, Flora Finch, Riley Chamberlin, Barnett Parker, William Parke, Jr., A. J. Andrews, Eric Hudson, James Sullivan and Billy Brown. Hudson, Sullivan and Brown have been missing from the credits of Prudence for no telling how long, granted, that they were not actors with prolific careers, nor were they household names but they were mentioned by the Moving Picture World magazine and deserve to be remembered for their work; albeit lost performances all. William Parke directed and the scenario was written by Agnes C. Johnston (AKA: Johnson). Johnston was at the time of Prudence, only twenty-years-old, and the veteran of more than ten stories since her entrance into film in 1915. Her true fame in writing for the silver screen would come much later in her career, with such films as, Show People (1928), The Divine Lady (1929) and, Movie Crazy released in 1932; in the 1930’s she wrote for the Andy Hardy series and the 1946 version of, Black Beauty. Johnston was by all accounts one of the bright stars in the scenarist universe and Prudence was one of her early triumphs. According to a report in the Wichita Beacon, Wichita, Kansas, (December 23, 1916), Ms. Johnston applied for a writing position with Vitagraph but landed a job as a typist instead; within a few months she had grasped (this, the evaluation of her employer) the essentials of writing scenarios and got her big break, with the short film, Ancestry (for American Mutual Manufacturing Company), which opened in March of 1915. Soon she got a position with Thanhouser and the rest, as they say, is history.
The Motion Picture News reported that there was a “film-leader” following the title-card of Prudence the Pirate, dedicating its contents to “those tired of the materialistic, who wanted to hark back a number of years and enjoy over again their childhood dreams.” So said a short article in the Logansport (Indiana) Daily Tribune, further, more color was added to the story (whether by Thanhouser, Pathé or the local reporter I cannot discern), relating that, when “Looking at it, the walls of the theater melt into nothing, the screen becomes a mirror reflecting the humorous prank of an unconventional and winsome girl, who is so fresh, so distantly removed from anything pertaining to grease paint and wig, that you smile patronizingly at her every action and laugh at Prue’s prank, smile at the delightful pictures of human nature that the story offers, and thrill at the climax.” The scenario was considered by some more than worthy and by at least one critic as a “Craftsmanlike piece of work,” a movie with a “distinct comedy flavor” with a “literary touch.” The aforementioned review by the Logansport Daily Tribune, concluded that: “Justice cannot be done in relating the synopsis of the story. The touches of the author and the various scenes by the principal characters must be seen to be appreciated.” 
It seems we have missed out on an early comedy-drama classic with Prudence the Pirate, a feminine pirate movie that is remembered in numerous blogs and books alike, yet with no cohesive history of the production written. Like unto the corpulent detective Nero Wolfe, who rarely left the comfortable and familiar confines of his home, but instead sent his assistant, Archie Goodwin to perform the leg work, I seldom leave my office for research and my Archie is the internet. Here together then are the facts I found obtainable, prudently proffered for your perusal.
Exhibitors found the film to be too “light” in its content and advertising, but Motography on October 21, 1916, said that Prudence was: “a distinctly pleasant farce with a stirring melodramatic climax. The story is a very light and proportionately diverting offering… Every time we see a picture like ‘Prudence the Pirate,’ we start right in to wonder that the producers do not give more attention to such really entertaining plays and observations made while visiting the picture theaters tell us that the great portion of the public holds to the same view. Why so many harassed heroines or stupid Cinederella’s (sic) when the likes of Prudence can be evolved by the scenario writer?” And the Moving Picture World was positive in its recounting of the film, almost glowingly of Ms. Hulette and calling the picture, “worthwhile” and that Prudence, “will make good entertainment.
The action-comedy-romance was seen in Logansport, Indiana on October 22, 1916, and received prominent placement in the local theater advertisement. The host theater in Logansport was the Paramount, situated at 310 5th Street; which is at the intersection of E. Market Street and Erie Avenue.
The first verifiable metropolitan play-date that I am able to ascertain for the production was on Monday, October 23, when Prudence was seen in Philadelphia at the Princess Theater, located at 1018 Market Street, which sat two-doors east of Eleventh Street, with the historic Bingham House being the corner building at Market and Eleventh; this was just steps from subway station 35. The Pennsylvania state Board of Censors of Motion Pictures, reviewed the film on, October 19, and approved the movie’s content.
On January 1, 1917, in Saskatoon, Saskatchewan, Canada, at 136 2nd Avenue South, at 1:00 PM, Prudence the Pirate, opened the brand new, Daylight Theatre; the venue was declared to be best, motion picture only theater in Canada.
The so ugly its cute pooch was found in a nationwide search for the “ugliest pup,” with scores of photos of dogs that simply did not qualify for the title submitted in response to advertising. Finally, Panthus was found in the New Rochelle, New York dog-pound. And in a plot fitting of a Tinsel-town scenario he was saved from imminent death at the hands of the warden of the dog-pound. Obviously, the personal worth of Panthus rose from rags to riches and once finished with his film work, his silver-screen-story was complete when he was adopted by his leading lady, Gladys Hulette.
Within days after filming of the five-reel picture was started, Panthus escaped; a posse was gathered and sent out by Thanhouser Studios searching New Rochelle for the dog, and finding him some twenty-four hours later, frolicking with some boys at the local baseball field . Filming was done at the Thanhouser Company studio in New Rochelle proper, and the sailing scenes were shot on Long Island Sound; principal filming was in August and September of 1916.
After the release of, Prudence the Pirate, Ernst Luz wrote accompanying music for the five-reel flick, entitled, Prudence: Entr’ acte. Luz filed for the copyright in the middle of November of 1916, through his company, Photo-Play Music, of New York; the sheet music was prepared for both orchestra and piano and advertised as a march. The piece, written specifically for Prudence, proved so popular that within two years it was being used in music cue sheets for a number of films, including: The Girl Problem, Daughter of Mine, The Love Defender, The Unknown Quantity and The Scar.
Prudence’s Prudent Pirate Plot:
In the short, Prudence the Pirate, was a romance, about a girl who wants to be a pirate, she is helped by a crew of tramps and the butler of her aunt’s home, Meeks. Meeks hints that he had been to sea and had “seen things,” and when Prudence pressed Meeks further, he confesses that he once was a pirate. Yet, the only experience Meeks acquired at sea was as a cabin boy on a missionary ship, but he continues spinning the adventuresome yarns for Prudence. Young Prudence or “Prue” as she is known, takes what money she has and rents a schooner and christens her the “Bucket of Blood.
To fill out her roster of crewmen Prudence attacks her aunt’s house-boat and takes Aunty and Mr. Astorbilt captive, Astorbilt bribes the crew to mutiny; Prue, becoming a prisoner on her on ship. Soon, Astorbilt emerges the man he truly was (at least underneath the veneer) instead of the high-society, reserved, effeminate gentleman he lived as. A fire breaks out on the Bucket of Blood and he saves Ms. Prudence, she surrendering her heart to Astorbilt forever.
By C. S. Williams
 Motography, September 30, 1916
 New York Sun (New York, New York) October 22, 1916
 Moving Picture World, September 30, 1916
 Logansport Daily Tribune (Logansport, Indiana) October 22, 1916
Houston Post (Houston, Texas) October 29, 1916
 Moving Picture World, October 21, 1916
 Logansport Pharos Tribune, Logansport, Indiana, October 22, 1916
 Evening Public Ledger (Philadelphia, Pennsylvania) October 23, 1916
 List of Films, Reels and Views Examined, Pennsylvania State Board of Censors Motion Pictures, Frank R. Shattuck,
Chairman; Mrs. Edward C. Niver, Vice-Chairman; Ellis P. Oberholtzer, Secretary; printed by J. L. L. Kuhn, 1918,
 Motion Picture Magazine, January, 1917
Picture Play Magazine, January, 1917
 Picture Play Magazine, January, 1917
 Pittsburgh Daily Post (Pittsburgh, Pennsylvania) August 27, 1916
 Catalogue of Copyright Entries, 1916, Part 3: Musical Compositions
Chronicle-Telegram (Elyria, Ohio (June 27, 1917
 Moving Picture World, April 5; 19; 26; May 10, 1919
 Moving Picture World, October 7; 28, 1916